Skip to main content

American Idol: The Nine

--  Top Forty?  Eh, not really.  Still, some highs and lows.  Let's start with the lows and go up from there. --

Megan:  Don't turn the lights down, just turn the sound off.

Anoop:  Never, never, never, never sing "Caught Up" in a singing competition.  Multiply that advice by a thousand if you're not black.  Anoop has no niche, and I don't think he's ever going to find one either.  He has a good voice, but he's not marketable.  It's sad.  (He's still my favorite.)

Matt:  Ironically, after saying that he sounds just like the lead singer from The Fray, he does "You Found Me."  The problem is, when you already sound just like someone, you shouldn't be singing their songs--at that point, it just sounds like an impersonation.  He needs to let someone else pick his songs from now on.

Scott:  Okay, it was the best he's done.  Considering how safe the song choice was, I don't think that's saying much.  I think it would be perfect if he went home this week--on a high note.  It was a very sweet performance, but sweet don't sell records, Garfunkel.  (Oh, and Paula, let's be real.  There's never a moment when everyone's NOT aware that he's blind.  Don't just say meaningful bullshit for the sake of being inspirational.  It's annoying.  It's been annoying for the past 8 seasons.  End of rant.)

Allison:  I thought it was an okay performance, but too safe a choice.  I don't think there's too much you can do with the song--truth be told, I don't even like it very much when No Doubt does it.  That being said, it was solid.

Lil Rounds:  Lil frustrates me.  If you just watched the performance, she looked like the biggest star on the show.  (Channeling Kelly Rowlands?  Anyone?)  The trouble is, when she's not hitting the high notes--her voice isn't all that pleasant.  She just needs to pull it together.  The low parts need to be nicer, and then she'll be unstoppable.

Danny:  My only issue?  We already did Country Week.  Show that you can do something else.  And will everyone please stop bringing up how hard his life is.  I don't care if a person's entire family goes over a cliff in a bus (Veronica Mars?  Anyone).  I only care about how well they do.  He did very well, but he could have done better if he didn't try milking the sympathy vote.  (And by the way, when you sing "What Hurts the Most" the same week that your grandfather dies, you're milking the sympathy vote.  That's all.)

Kris:  For my money, he's the most marketable guy in the entire competition.  He's consistently good every week.  The problem is, another one of his competitors--the one who took Best Performance of the Night--has moments of sheer greatness that Kris can't seem to manage.  Still, I would wager that in the end this boy is going to be able to move some records one way or another.

Adam:  He is smoking.  I think it would have been smarter for him to pick a more current song to show that he can be on today's radio and not on VH1 Classics, but I can't hate too much.  It was the best performance of the night.

Comments

Popular posts from this blog

A List of People Who Can Go to Hell Now That I Can't Have Elizabeth Warren

So today was a rough day for everybody who isn't a @#$%-ing #$%hole. Let's just start there. If that upsets you, by all means, go straight to hell. This entire rant is going to be exactly what it sounds like. I am mad and I am going to exercise my right to BLOG ABOUT IT LIKE IT'S 1995, SO BUCKLE UP, BUTTERCUP. I really don't even know where to start, so let's just jump right in with the first person who comes to mind. Bloomberg, go to hell.  You really didn't have anything specific to do with today, but you can just go to hell for spending an ungodly amount of money on literally nothing.  I mean, you could have lit millions of dollars on fire and at least warmed the hands of the homeless, but instead, you made tv stations across the country that are already owned by Conservatives rich, so kudos to you and go to hell. Amy Klobuchar, I STUCK UP FOR YOU AMY.  I got into FIGHTS on SOCIAL MEDIA while DEFENDING your sorry, self-interested ass.  You know ...

Theater and the Outbreak

After last week's interview, a representative from a theater that recently experienced the results of opening too soon reached out to speak with me. I want to thank this person for coming forward in the hopes that it'll change some minds about what's safe and what isn't when it comes to the performing arts. Here's the interview: ME:  So this wasn't a full production or-- THEM:  No. It was us trying to do a little something for friends and donors. ME:  Who is 'us?' THEM:  The board of _____. ME:  And how long have you been on the board? THEM:  Three years. ME:  What was this going to be? THEM:  There's a, uh, beautiful park here in town, and we wanted to do an outdoor performance of a Shakespeare as a benefit, because, as you know, theaters are having a hard time right now paying the bills. We checked with the local government and the health department for the state to make sure we were doing everything the way we needed to in order to keep everyon...

Theater and The Big Bad Wolf

My conversation today is unique in that it's with someone I had never spoken to until the time came to do this interview.  If you read last week's conversation, you know that this person was referred to me.  They are a theater artist with a long career and impressive resume who has since decided to leave their respective theater community. Here's the interview: ME:  I feel so liberated talking to you already because you're from so far away. THEM:  Canada's not that far away. ME:  You're my first international conversation. THEM:  I feel like I have to represent all of my country right now. ME:  You do.  You really do. THEM:  I've been preparing for this my whole life. ME:  You were--I don't know if the word should be 'referred,' but someone said--You need to talk to so-and-so, and here we are. THEM:  Here we are. ME:  Now, your story is one I think we've heard a lot, but what was interesting to me in the con...