Skip to main content

Oscar Observations and Inspiration

With the Academy Award nominations being announced today, lots of pop culture pundits are commenting on who's in, who's out, and who will win.

What none of them are talking about is the inspiration found within the nominations themselves.

Inspiration? In a list of film nominees?

Sounds crazy, right?

But the list is full of it.

Take the Best Actor race for example. Here you have Jeff Bridges, nominated for True Grit, a great actor who won his first award last year and now seems to be enjoying a winning streak in what most would call a young man’s game. On the opposite end of the spectrum is Jesse Eisenberg, nominated for The Social Network. Ask most people if somebody who starred in a movie called Zombieland would, less than a year later, be nominated for an Academy Award, and they’d probably laugh at you. Not only a nominee, but co-host James Franco, is nominated for 127 Hours. Not bad for someone who used to have nothing more to their name than the brilliant cancelled NBC show "Freaks and Geeks." The surprise nominee is Javier Bardem for Biutiful. Left out of most of the major awards, Bardem just goes to show you that it’s never over until it’s over (or until Julia Roberts campaigns for you). The front-runner in the race is Colin Firth, for The King’s Speech. A lesson in persistence if ever there was one.

Then there are the Best Actress nominees. If it’s difficult for men Jeff Bridges’ age to be relevant in Hollywood, then multiply that by at least five for women. Yet here are Annette Benning and Nicole Kidman nominated for some of the best work of their respective careers in The Kids are All Right and Rabbit Hole respectively. Whereas Benning is that rare actress who rarely does movies but, when she does, knocks them out of the park, Kidman consistently works, picking interesting projects. Lately Kidman’s been striking out, so it’s nice to see her rewarded for taking big risks. Then there’s Jennifer Lawrence, someone whose name is probably still unknown to most people, but who turned in a fantastic performance in Winter’s Bone. Finally you have Michelle Williams, who, like Franco, made it big on a television show (“Dawson’s Creek”) and has now carved out a new career for herself as a serious film actress. Then, there’s the front-runner, Natalie Portman, who has proven that by tackling edgy and controversial roles, a pretty face can receive a big pay-off.

At a time when it’s easier to get on the front page of People by cheating on your spouse or becoming addicted to drugs, I think it’s important to take a minute to acknowledge people in Hollywood who actually are doing great work, especially those who had to overcome some obstacles to get there.

Comments

Popular posts from this blog

A List of People Who Can Go to Hell Now That I Can't Have Elizabeth Warren

So today was a rough day for everybody who isn't a @#$%-ing #$%hole. Let's just start there. If that upsets you, by all means, go straight to hell. This entire rant is going to be exactly what it sounds like. I am mad and I am going to exercise my right to BLOG ABOUT IT LIKE IT'S 1995, SO BUCKLE UP, BUTTERCUP. I really don't even know where to start, so let's just jump right in with the first person who comes to mind. Bloomberg, go to hell.  You really didn't have anything specific to do with today, but you can just go to hell for spending an ungodly amount of money on literally nothing.  I mean, you could have lit millions of dollars on fire and at least warmed the hands of the homeless, but instead, you made tv stations across the country that are already owned by Conservatives rich, so kudos to you and go to hell. Amy Klobuchar, I STUCK UP FOR YOU AMY.  I got into FIGHTS on SOCIAL MEDIA while DEFENDING your sorry, self-interested ass.  You know ...

Theater and the Outbreak

After last week's interview, a representative from a theater that recently experienced the results of opening too soon reached out to speak with me. I want to thank this person for coming forward in the hopes that it'll change some minds about what's safe and what isn't when it comes to the performing arts. Here's the interview: ME:  So this wasn't a full production or-- THEM:  No. It was us trying to do a little something for friends and donors. ME:  Who is 'us?' THEM:  The board of _____. ME:  And how long have you been on the board? THEM:  Three years. ME:  What was this going to be? THEM:  There's a, uh, beautiful park here in town, and we wanted to do an outdoor performance of a Shakespeare as a benefit, because, as you know, theaters are having a hard time right now paying the bills. We checked with the local government and the health department for the state to make sure we were doing everything the way we needed to in order to keep everyon...

The Community and The Hypnotist

  Two years ago, I started interviewing people in the theater world about the problems within that community. All the subjects of the interviews remained anonymous to encourage people to speak directly and plainly without worrying that there would be consequences down the line. (Of course, even then, some people felt like outing themselves and getting in hot water, but we're going to leave that water under another bridge.) When I decided it was time to bring the series to a close, it was partly because I thought it had run its course, and partly because I had a new topic I wanted to tackle. While I've had my issues with theater and the people who do it, I've never felt like I didn't belong there, whereas from the moment I came out, I've never truly felt like a part of the gay community. To be clear, that probably has way more to do with me than the community, but it's something I wanted to explore, and I knew how I wanted to do it. The theater interviews were al...