Skip to main content

JFK vs. Lincoln: The Joke Experiment

I've written posts before about the flexible nature of sensitivity.

Like how it's somehow okay to have a toy version of the Titanic even though, when it happened, it was a national tragedy.

I read an article when the toy came out asking how people would feel if a hundred years from now there was a twin towers toy.

People were outraged by the idea. To think we could ever be that insensitive.

But the thing is...

We already are.

To prove this, I tried a little experiment of my own.

I told a joke about Abraham Lincoln's assassination. People laughed.

I told the same joke, but replaced Abraham Lincoln with John F. Kennedy. One person giggled. Most felt uncomfortable.

What's the difference?

Time.

But is it any more insensitive to laugh at one joke as opposed to the other?

It's not like anybody I told the joke to personally knew J.F.K.

When American Horror story did a school-shooting themed episode, some people--who were of the Columbine generation--felt that it crossed a line.

But how did it cross a line anymore than the Black Dahlia episode?

A friend of mine who happens to be a history major says that nothing is history until everyone who has experienced it has died so it be viewed in an objective way, but does that mean we don't have to be sensitive to history once there's nobody left who lived through it?

My argument is the same as it was when I wrote about the Titanic toy--

There shouldn't be an expiration date on sensitivity.

If it's in poor taste to make fun of a President being shot, then it should be in poor taste no matter which President you're joking about.

But if you want to hear a good Taft joke...

Comments

Popular posts from this blog

A List of People Who Can Go to Hell Now That I Can't Have Elizabeth Warren

So today was a rough day for everybody who isn't a @#$%-ing #$%hole. Let's just start there. If that upsets you, by all means, go straight to hell. This entire rant is going to be exactly what it sounds like. I am mad and I am going to exercise my right to BLOG ABOUT IT LIKE IT'S 1995, SO BUCKLE UP, BUTTERCUP. I really don't even know where to start, so let's just jump right in with the first person who comes to mind. Bloomberg, go to hell.  You really didn't have anything specific to do with today, but you can just go to hell for spending an ungodly amount of money on literally nothing.  I mean, you could have lit millions of dollars on fire and at least warmed the hands of the homeless, but instead, you made tv stations across the country that are already owned by Conservatives rich, so kudos to you and go to hell. Amy Klobuchar, I STUCK UP FOR YOU AMY.  I got into FIGHTS on SOCIAL MEDIA while DEFENDING your sorry, self-interested ass.  You know ...

Theater and the Outbreak

After last week's interview, a representative from a theater that recently experienced the results of opening too soon reached out to speak with me. I want to thank this person for coming forward in the hopes that it'll change some minds about what's safe and what isn't when it comes to the performing arts. Here's the interview: ME:  So this wasn't a full production or-- THEM:  No. It was us trying to do a little something for friends and donors. ME:  Who is 'us?' THEM:  The board of _____. ME:  And how long have you been on the board? THEM:  Three years. ME:  What was this going to be? THEM:  There's a, uh, beautiful park here in town, and we wanted to do an outdoor performance of a Shakespeare as a benefit, because, as you know, theaters are having a hard time right now paying the bills. We checked with the local government and the health department for the state to make sure we were doing everything the way we needed to in order to keep everyon...

The Community and The Hypnotist

  Two years ago, I started interviewing people in the theater world about the problems within that community. All the subjects of the interviews remained anonymous to encourage people to speak directly and plainly without worrying that there would be consequences down the line. (Of course, even then, some people felt like outing themselves and getting in hot water, but we're going to leave that water under another bridge.) When I decided it was time to bring the series to a close, it was partly because I thought it had run its course, and partly because I had a new topic I wanted to tackle. While I've had my issues with theater and the people who do it, I've never felt like I didn't belong there, whereas from the moment I came out, I've never truly felt like a part of the gay community. To be clear, that probably has way more to do with me than the community, but it's something I wanted to explore, and I knew how I wanted to do it. The theater interviews were al...